Converting a visualisation model into a 3D print model

Not all models are the same. When we create 3D visualisations, we build (model) these virtual data in a way, that is helpful to us when creating stills or animations. Sometimes, we build only certain views and sometimes we need to be very exact when we create our models and add a lot of detail. It all depends on the use in the end. So a while ago, we reconstructed the White Temple of Uruk for the big Uruk exhibition of 2013/14. The model did get reused even in for the Ana Ziqquratim exhibtion in Strasbourg in 2016.

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Published: Nile Magazine

Our reconstruction of the Royal Stables at Pi-Ramesse was published in the current issue of the British NILE Magazine (March/April 2020). It is used within an article about Piramesse. We are happy that our graphic was used and are happy to share this here!

40 years of Qantir/Pi-Ramesse excavations!

Image by H. Franzmeier

This year, the excavations in Qantir/Pi-Ramesse get 40 years old. This is a remarkable age for an excavation in our days and so the Roemer-Pelizaeus-Museum in Hildesheim decided to celebrate this today. The whole day is filled with a programme where you can listen to the former excavator Edgar B. Pusch as well as the current excavator Henning Franzmeier. Both present their results and plans and it is possible to get into a dialogue with both of them.

On top of that, we spotted our own reconstruction of Pi-Ramesse in the exhibition playing on a monitor, so people visiting the museum today, will get to see that too. We also know, that there is a LEGO replica of our reconstruction in the exhibition and we will try to get an image of that.

Published: A wonder to behold

Wonder to Behold CoverWonder to Behold Page52_53

From November 2019 to May 2020, the Institute for the Study of the Ancient World at New York University in association with Princton University, showcased an exhibition called “A Wonder to Behold: Craftmanship and the Creation of Babylon’s Ishtar Gate”. This book is the exhibtion catalogue and features one of our images!

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Published: Antike Welt Anniversary Issue

For the 50th anniversary issue of “Antike Welt”, a German Special-Interest magazine about archaeology, several reconstruction projects had been asked to contribute their recent results in form of a short article. The topics cover Mesopotamia, Greece, Rome and many more. 24 projects are combined in this extraordinary issue. We have been asked to contribute with two projects and while skimming through the issue, we recognized, that even a third project is presented.

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Pi-Ramesse in Cincinnati

Image by S. Brugger

Currently, the visualisation of Pi-Ramesse, which we did for an exhibition in Karlsruhe 2016/17, is presented at the Cincinnati Museum Center in Ohio, USA. The exhibition is called “Egypt: The Time of Pharaohs”. It is displayed besides a replica of a chariot wagon and will be there until at least August 2019. The exhibition is part of a larger tour through North America. We are pretty happy to showcase our visualisations outside of Europe this time!

Published: Les peintures murales du palais de Tell Ahmar

Ariane Thomas published a book called “Les peintures murales du palais de Tell Ahmar. Les coleurs de l’empire assyrien” with the Louvre. In it the wonderful wall paintings of Tell Ahmar (the ancient Til Barsib) are displayed and discussed. Til Barsib dates back to the 5th millennium BCE. The wall paintings however are from the Neo-Assyrian period (1st half of the 1st millennium BCE).

On page 141, a very old reconstruction of us is featured, where we put one particular wall painting in the reconstructed room of the palace. The publication is a wonderful catalogue of colored plates and in-depth articles about the site and its wall paintings. It is written in French and available as part of the Musée de Louvre Éditions.

Published: Welt der Wunder magazine

In the current issue of the mainstream magazine “Welt der Wunder”, one of our illustrations got published. The article is a feature of Ramesses II. and on page 28 our reconstruction of Pi-Ramesse, the capital of Ramesses II., is used with the caption “The New York of Ancient Egypt”. The article is mainly about Ramesses life and how he got an actual passport in 1974, when transported to the Louvre in Paris to get some restoration work done. On the passport the profession “King (deceased)” was entered.

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