Our reconstruction of the Royal Stables at Pi-Ramesse was published in the current issue of the British NILE Magazine (March/April 2020). It is used within an article about Piramesse. We are happy that our graphic was used and are happy to share this here!
A couple months ago, I had a presentation about the reconstruction of Pi-Ramesse in Berlin, together with the excavator Henning Franzmeier. The lecture, that was organised by the Berliner Antiken Kolleg, was recorded and is now available on YouTube. If you speak German, you can listen and look at it right here.
This year, the excavations in Qantir/Pi-Ramesse get 40 years old. This is a remarkable age for an excavation in our days and so the Roemer-Pelizaeus-Museum in Hildesheim decided to celebrate this today. The whole day is filled with a programme where you can listen to the former excavator Edgar B. Pusch as well as the current excavator Henning Franzmeier. Both present their results and plans and it is possible to get into a dialogue with both of them.
On top of that, we spotted our own reconstruction of Pi-Ramesse in the exhibition playing on a monitor, so people visiting the museum today, will get to see that too. We also know, that there is a LEGO replica of our reconstruction in the exhibition and we will try to get an image of that.
I am very happy to announce, that I edited a volume on digital teaching and learning and it came out just a couple days ago! Way back I reported that I will give a presentation on a symposium that I organised at the University of Cologne in Germany. The publication is the outcome of that symposium, where I also wrote a chapter on the challenges of archaeological reconstruction.
From November 2019 to May 2020, the Institute for the Study of the Ancient World at New York University in association with Princton University, showcased an exhibition called “A Wonder to Behold: Craftmanship and the Creation of Babylon’s Ishtar Gate”. This book is the exhibtion catalogue and features one of our images!
Nearly one year ago, I reported, that I am working on a volume of interdisciplinary and international scholars concerned with the topic of monumentality. Well, it is out now! You can either buy a printed copy or read the free open access PDF of the volume. Just head over to the publishers website, where you will find both.
Together with the excavator Dr. Henning Franzmeier, I will be giving a presentation at the Freie Universität Berlin on the 19th of December 2019.
For the 50th anniversary issue of “Antike Welt”, a German Special-Interest magazine about archaeology, several reconstruction projects had been asked to contribute their recent results in form of a short article. The topics cover Mesopotamia, Greece, Rome and many more. 24 projects are combined in this extraordinary issue. We have been asked to contribute with two projects and while skimming through the issue, we recognized, that even a third project is presented.
Currently, the visualisation of Pi-Ramesse, which we did for an exhibition in Karlsruhe 2016/17, is presented at the Cincinnati Museum Center in Ohio, USA. The exhibition is called “Egypt: The Time of Pharaohs”. It is displayed besides a replica of a chariot wagon and will be there until at least August 2019. The exhibition is part of a larger tour through North America. We are pretty happy to showcase our visualisations outside of Europe this time!
Ariane Thomas published a book called “Les peintures murales du palais de Tell Ahmar. Les coleurs de l’empire assyrien” with the Louvre. In it the wonderful wall paintings of Tell Ahmar (the ancient Til Barsib) are displayed and discussed. Til Barsib dates back to the 5th millennium BCE. The wall paintings however are from the Neo-Assyrian period (1st half of the 1st millennium BCE).
On page 141, a very old reconstruction of us is featured, where we put one particular wall painting in the reconstructed room of the palace. The publication is a wonderful catalogue of colored plates and in-depth articles about the site and its wall paintings. It is written in French and available as part of the Musée de Louvre Éditions.